What is the name of the tallest cathedral in Munich. Munich landmark: Cathedral of the Blessed Virgin Mary (Frauenkirche)

Frauenkirche(German: Frauenkirche) - the largest cathedral Munich, the tomb of the Wittelsbach dynasty and a modern tourist symbol of the Bavarian capital. It is necessary to clarify that the name “Frauenkirche” is common, while it is officially called Cathedral Holy Virgin Maria(Dom zu Unserer Lieben Frau).

The Frauenkirche is a classic example of uncompromising and cold Gothic architecture. Frauenkirche is the grandeur of space, the severity of lines and severe asceticism. Surprising is the fact that the cathedral was originally designed for 20,000 parishioners, although during its construction the population of the city was only 10-15 thousand people. Nowadays, there is seating for 4,000 believers inside, although Sunday services no more than 200-300 visitors gather.

Construction of the Frauenkirche began in 1468. The main part of the structure was ready within 20 years, which was a record-breaking time for that time. However, then the work was suspended due to lack of funding. Two bell towers remained unfinished. It took several decades to raise the necessary funds. The final construction of the Frauenkirche was completed in 1525. For a long time, the pillar of the northern tower was a landmark and reference point for all territorial measurements in Bavaria (for example, when determining land plots).

Despite the impressive dimensions of the cathedral, which are 109x40 meters, the interior space of the attraction does not make a stunning impression. Visually, the room is made smaller by two rows of octagonal columns holding up the cathedral roof. For Gothic buildings of this size, such an architectural solution is absolutely not typical, because the supporting columns were always located outside. Also unusual is the building material - brick, not stone. The latter fact is explained by the absence of a quarry nearby Munich that could accommodate such a large-scale construction.

The domes also distinguish the Frauenkirche from other Gothic buildings. According to the original design, two 99-meter bell towers were to be crowned with pointed spiers, similar to those that adorn the Cologne Cathedral, but under the influence of the emerging Renaissance style, Gothic architectural ideas were abandoned. The basis was taken from the domes of the Church of the Holy Sepulcher in Jerusalem, which, in turn, were copied from Byzantine churches. The domes of the Frauenkirche became a striking contrast to the overall architectural style, and are still perceived ambiguously by the residents of Munich. Nowadays, it is prohibited in the city to build buildings and structures higher in height than the Frauenkirche tower.

Frauenkirche - symbol of the Wittelsbachs

The cathedral was never a people's church, as it was a symbol political power and the spiritual stronghold of the ruling Wittelsbach dynasty. This role was inherited from romanesque church Marienkirche, which for two centuries was the family temple of the Dukes of Bavaria. The Frauenkirche was built around the Marienkirche, and only then the latter was dismantled. The exceptional position of both buildings was largely determined by the fact that their abbots were appointed by the Duke himself, choosing him only from noble families.

For the residents of Munich, the cathedral has always symbolized the union of throne and altar. That is why the townspeople and ordinary Bavarians never considered the Frauenkirche close to them in spirit. They preferred to pray in the Church of St. Petra (most old temple city) and still cannot come to terms with the fact that their “Old Peter” remains in the shadow of the privileged Frauenkirche Cathedral.

The cathedral finally became a “court” cathedral under the stern and pious Bavarian electors of the Counter-Reformation era. Maximilian I, an ardent Catholic and fierce enemy of Protestants, knew how to deftly combine religion with politics. He even ordered the statue of Our Lady to be moved from the altar to the central square of Marienplatz. The majestic figure of the Virgin Mary was declared the patron saint of Bavaria by Maximilian I and turned into a political weapon of the House of Wittelsbach.

A particularly beautiful artistic and sculptural creation is the black marble cenotaph. Ludwig IV - the most famous representative of the Wittelsbachs in the 738-year history of the dynasty. The cenotaph is a luxurious funerary monument without the remains of the deceased monarch (located in the cathedral crypt). The unique landmark was erected in 1622 by order of Elector Maximilian I. The central place in the sculptural composition is occupied by a bronze statue of Albrecht V (grandfather of Maximilian I), who went down in history as one of the leaders of the Counter-Reformation in Germany. It was he who in 1559 invited the Jesuits to Munich to support Catholicism. Subsequently, the majority of German rulers would support the ideas of the Reformation, but representatives of the Bavarian Wittelsbach dynasty will always remain fierce defenders of the “true faith.”

According to an old legend, the devil himself left his footprint at the entrance to the Cathedral of the Blessed Virgin Mary. They say chief architect made a deal with him: Lucifer promised to help with complex construction in exchange for the soul of the first person to enter the cathedral. However, when the devil appeared for the promised payment, the architect complained that the structure was built with defects and drove him away. Satan stamped his foot in a rage at the door of the temple, leaving his mark, and went home, but did not forgive the “debtor.” The latter died within a year and was buried under the north tower.

They appeared at the end of the 16th century, since the abbots of the Frauenkirche were especially zealous about divine services and argued that the latter should always begin strictly at the appointed time. In addition to the exact time, the clock shows the planets solar system, signs of the Zodiac, lunar phases and the movement of the Sun. In 1749 within restoration work a crowing rooster was added to the clock mechanism. The clock mechanism case was modified several times depending on the new artistic trends of its time, so the original appearance of the unique landmark was not preserved. The melody of the clock embodies the intercession of Christ and Mary before God the Father.

Crypt

The staircase behind the altar leads to the Crypt, where the burials of representatives of the Wittelsbach dynasty, archbishops and cardinals are located. Nowadays, the Crypt is a simple room with brick walls and a concrete beam ceiling, although until the middle of the 20th century it was distinguished by a more sophisticated decoration. All graves and burials are built into the walls of the Tomb (a separate room in the Crypt). The entrance to the Tomb is generally closed to tourists.

Let us remember that in addition to the Frauenkirche, the Wittelsbachs were also buried in the Theatinerkirche and the Church of St. Michael, and in some cases there was a tradition of burying the heart of the deceased (separate from the body) in the funeral chapel of Altötting.

Don’t be surprised if you see tombstones with epitaphs on the walls of the cathedral. They remind us of the cemetery that surrounded the Frauenkirche until late XVIII century. When it was closed, the slabs were taken out of the ground and hung on the walls.

The Cathedral of the Blessed Virgin Mary, also called Frauenkirche, is one of the symbols of Munich, as well as the tallest church in the city (99 meters). At a meeting of city officials in 2004, it was decided to prohibit the construction of buildings above it.

The cathedral is located near Marienplatz square. The history of the building is directly related to the Wittelsbach monarchy. The cathedral, in addition to its direct purpose, was to be used by the rulers of Bavaria as a family crypt.

The interior of the cathedral is surprising in that it is made in light colors: usually a darker atmosphere reigns in medieval Gothic churches. Daylight pours through the stained glass windows with images of saints. 22 columns hold up the vault of the building. When you stand at the entrance, you can hardly see the windows because of the columns and it seems as if light is streaming from nowhere. All this creates an unexpected feeling of spaciousness and lightness. Inside, attention is drawn to the tombstone of the Holy Roman Emperor Ludwig IV of Bavaria. It is decorated with the symbols of the dynasty and sculptures of kneeling knights. Also worth paying attention to is the Benno arch decorated with baroque stucco in the central nave near the choir. The fountain opposite the entrance portal also bears the name of this saint. The main altar is decorated in the same style, painted with the image of the Ascension of the Virgin Mary.

There is a footprint in one of the stone floor tiles right at the entrance to the cathedral. Several legends are associated with it. It is believed that the mark was left by the devil himself, who made his way into the church on the day the construction was completed. Not seeing the windows, he laughed and kicked. According to another legend, the architect entered into an agreement with the evil spirit that he would help him build a building in exchange for the soul of the first parishioner. On the day of completion, he refused to fulfill the condition, pointing out the lack of windows. The devil stomped in anger.

The observation deck of the South Tower can be reached by elevator, but you will have to walk up the stairs to get to the elevator. Access to the tower is available from April 1 to October 31. On Catholic holidays, services are held in the cathedral.

Photos of Frauenkirche

Opening hours: from Saturday to Wednesday from 7.00 to 19.00, on Thursday from 7.00 to 20.30, on Friday from 7.00 to 18.00. Ticket prices: admission to the cathedral is free. Climbing the tower costs 3 euros for adults, for children – 1.5 euros. How to get there: Marienplatz metro station is nearby. Address: Frauenplatz 12, 80331 München, Germany Website.

Address: Germany, Munich
Start of construction: 1468
Completion of construction: 1525
Architect: Jörg von Halsbach
Height: 100 m
Coordinates: 48°08"18.9"N 11°34"24.5"E

Brief description

Not far from Munich's Marienplatz square is the main cathedral of the capital of Bavaria - Frauenkirche. The official name of the tallest cathedral in Munich is the Cathedral of the Blessed Virgin Mary.

Surprisingly, in 2004, at a meeting of the city authorities, a rather controversial bill was adopted, according to which in the ultra-modern city, famous throughout for its scientific research institutes and museums, it is prohibited to erect buildings that would be taller than the Frauenkirche.

Bird's eye view of the cathedral

The height of the cathedral, built in the Gothic style, is “only” 99 meters. Naturally, this figure cannot be called small, but it limits the construction of huge skyscrapers and office buildings in the city. What is the reason for this attitude of the authorities towards the Frauenkirche, what is so unusual about this cathedral? It's no secret that many travel agencies call Frauenkirche the symbol of Munich and recommend that all guests of the city visit this attraction without fail. Naturally, the Frauenkirche can certainly interest historians and connoisseurs of architectural and cultural monuments. Its long history and close connection with the legendary Wittelsbach dynasty, which once ruled Bavaria for 700 years, is certainly noteworthy.

Many guides living in Munich, when telling their tour groups about the Frauenkirche, quite often speak about the cathedral with some degree of skepticism. The thing is that the majestic cathedral, which is the tallest building in Munich, does not delight the native residents of the city. The Wittelsbach family is “to blame” for this state of affairs, who, by the way, are very respected in Bavaria, and the last descendant from this dynasty still lives at the expense of the state in the luxurious Nymphenburg Palace.

View of the cathedral from the New Town Hall

It was the founders of this dynasty who made the Frauenkirche a cathedral for powerful of the world this, and by and large, turned it into a kind of family crypt. True, this is already a story that should be discussed a little below.

Frauenkirche Cathedral - history

As mentioned above, the Wittelsbach dynasty wanted to create a cathedral in which they could turn to God and where they would find eternal rest. The first stone for the construction of the cathedral, which it was decided to build in the Gothic style, was laid in 1468. The building project was developed by the then famous architect Jörg von Halspach, who said that the building in the capital of Bavaria “was built in the style of uncompromising Gothic, where there is nothing superfluous.”

The Frauenkirche Cathedral was built of brick by 1494. During the opening ceremony, the consecration of the temple took place. To be fair, it is worth noting that in 1494 the cathedral was not completely finished: its main architectural details - the domes on the towers - were completed in 1525. Since the mid-16th century, the Frauenkirche Cathedral could be called a secular cathedral; ordinary Munich residents rarely looked into it. As you know, the church should not submit to politicians and the government of the country, and the Frauenkirche has become a kind of symbol, known in Bavaria under the name: “the union of the throne and the altar.”

View of the cathedral towers

After the first consecration, the cathedral could accommodate more than 20 thousand people. When the towers were erected, the capacity of the Frauenkirche cathedral was reduced to 12 thousand people. After the Second World War, no more than 4 thousand people could listen to sermons in the church. All places, as in many Catholic churches, are seated. It is worth noting that during the Allied offensive on Munich, the Frauenkirche Cathedral was damaged. However, the damage caused cannot be considered significant. All interior decorations, tombs and valuable relics were not damaged. The restoration of the Frauenkirche Cathedral after the Second World War took place in record time. How could it be otherwise in the case of the temple, which is called “the union of the throne and the altar”? This is how he remains to this day.

Frauenkirche Cathedral - architecture

Not a single modern architect can say that the facades of the cathedral do not evoke admiration for the Gothic style. Majesty, strict lines and, one might even say, some kind of chilling beauty can be seen in every detail of the building. Despite the facade of the building, the interior of the temple disappoints many tourists. “This temple is kind of miserable,” “It’s not cozy and cold here,” “We probably weren’t in a Catholic church,” these words are often uttered by many guests of Munich who first crossed the threshold of the symbol of the capital of Bavaria, the Frauenkirche Cathedral.

Cathedral facade

As mentioned above, even the indigenous residents of the city do not favor this main attraction with their attention. The asceticism of the interior decoration and the arrogant attitude of the clergy towards believers cannot attract the flock to the walls of the cathedral. During Sunday services in the pews designed for 4 thousand people, it will be difficult to count 80 parishioners. During evening services Frauenkirche is practically empty: only 10-15 elderly women listen to prayers ascending to God. They come here only because they live in a shelter located not far from the cathedral.

Despite all of the above, it is from this cathedral that numerous broadcasts of divine services dedicated to the most significant Catholic holidays. The ceremony of the Frauenkirche Cathedral can be called an accountant, director, screenwriter and stage director. In addition, he arrogantly claims that it is The Frauenkirche should be an example for everyone to follow Catholic churches . “The interior of the temple is not a circus stage, where everything should be decorated with bright colors. The Mass is not a clownery, it cannot be shortened, during it you need to sit and listen in complete silence,” ceremonial officer Anton Heckler once said in an interview. It was he who became the first minister of the Catholic Church who scrupulously calculated on a personal computer the amount required for parishioners to receive communion. By the way, the officially registered parish of Frauenkirche has less than 400 people.

Main entrance to the cathedral

The Frauenkirche's close connection with power, which has lasted for more than 400 years, is turning off young people. Of the entire parish, there are less than 30 parishioners under the age of 18. It cannot be otherwise in the cathedral, where in front of the main altar there is a huge tombstone of King Ludwig of Bavaria, which completely covers the main place in the temple. In addition, the flag of Bavaria was installed above the tombstone: the banner almost completely hides the throne from the flock. At one time, Maximilian I decided to erect a strange-looking monument in the Frauenkirche Cathedral, which depicted skulls and knights ready for battle. This monument was supposed to symbolize the tomb of the Wittelsbachs. Maximilian I was one of those politicians who understood how beneficial it was to unite the government and the church. He did not even hide his views, and erected a triumphal arch over the terrifying dark monument. This arch in the Frauenkirche temple was supposed to show believers the close and unbreakable connection between earthly and heavenly power.

After reading all of the above, many people who are brought to Munich may have the opinion that the Frauenkirche Cathedral does not deserve attention. However, this is not at all true. After walking around Marienplatz and visiting its many attractions and boutiques, you should definitely stop by Frauenkirche.

View of the south tower of the cathedral from Liebfrauenstrasse

Firstly, such a sharp contrast cannot be found anywhere else in the world, and secondly, it would be an unforgivable mistake not to capture in the photo the external facade of the cathedral, built in the “uncompromising Gothic” style. The acoustics of this unique architectural structure will be of particular interest to connoisseurs of music and choral singing. Alas, you won’t be able to listen to Bach’s music there; the tempo of his works is too fast, and the huge space of the room merges into a single roar. In one of the interviews with the regent of the Frauenkirche, published in a Munich newspaper, it is said that “Bach in the cathedral hits the ears hard.” The beauty of choral singing or music can only be appreciated by the Mass of Wolfgang Mozart or chorales ascended to God, dating back to the Gregorian era.

Ulm Cathedral is one of the most famous monuments of German architecture. The building is visible from anywhere in the city, as its pointed spire stretches to a height of 162 meters. The history of the construction of the building is quite long, it dates back to the 14th century and continues until XIX century. From the very beginning, the cathedral was built with five naves, which was the reason for such a long time for completion of the work. Its high spire was initially 100 meters high, but by the end of the 19th century it was built an additional 62 meters.

The decorations of Ulm Cathedral are ingenious: unique stained glass windows, famous choirs carved from oak soaked in the Danube, which acquired unprecedented strength and durability over a century and a half. In addition to these decorations, it is necessary to note the sculpture of Christ the Sufferer by Han Malcher, which adorns the front portal of the cathedral. The main attribute of the building is the sparrow located on the roof of the building. This little chick carries great meaning and interesting legend, which everyone can find out from any local resident of the city of Ulm.

Cathedral of the Theatine Order

Cathedral of the Theatine Order - Theatinerkirche. 1663-1767. Architects E. Zucalli, F. Cuvillier. The influence of Italian architecture is noticeable, especially in the Baroque towers. A very elegant and harmonious structure.

Cathedral of the Holy Virgin

The Cathedral of the Holy Mother of God, also known as the Frauenkirche, is the symbol of Munich and the most high cathedral in the city. Built in the 15th century, the temple is also a significant monument of Gothic architecture.

The main part of the structure was completed in 1488, and the domes, due to a lack of funds, were completed in 1524. At the time of its completion, the cathedral could accommodate 20,000 visitors, despite the city's population of only 13,000 inhabitants. The facade is distinguished by sparse decor, which is unusual for the Gothic style, but it looks solemn. The interior of the cathedral is no less unusual - instead of gloomy walls and darkness, as is usually the case in Gothic churches, the interior decoration is distinguished by an abundance of light colors and colored stained glass windows, which creates a warm atmosphere inside the temple. Also in the cathedral you can see 22 majestic columns supporting the ceiling, an abundance of bas-reliefs and several tombs.

Munich is the capital of Bavaria and one of the largest cities in Germany. In addition to research and industrial potential, the city boasts cultural values, which creates ample scope for tourism. Munich's temples, cathedrals and mosques occupy a special place among all the city's attractions.

Peterskirche Church

The foundation of the church was laid back in the 11th century, which makes it almost the same age as the city. Peterskirche is a great architectural monument, dating back more than 600 years of history and combining 4 different styles: Romanesque, Gothic, Baroque and Rococo.

The interior of Peterskirche is no less pleasing: milky walls and a ceiling fresco of amazing beauty are eye-catching.

One of the central places in the church is occupied by the figure of St. Peter and the altar of the Virgin Mary, which is a composition of several statues.

The temple is located on Marienplatz - main square cities. At the top of the chapel there is an observation deck that offers stunning views of Munich.

Cathedral of the Blessed Virgin Mary

Frauenkirche – Cathedral of the Holy Virgin, a pearl of Gothic architecture. Construction began in 1468, but it was completed only in 1525.

The abundance of white columns and the absence of windows make the interior of the temple unique. The painting on the altar illustrates the ascension of the Virgin Mary. On the walls you can see gravestones that were moved from a closed cemetery near the church. The Gothic appearance is complemented by the “devil's footprint” - a dark boot print located on one of the slabs of the cathedral.

The Frauenkirche is the tallest cathedral in Munich thanks to its towers reaching 99 m in height. The bell towers are connected to a long nave, which is covered with red tiles and reminds many of Noah's Ark.

After a referendum held in 2004, a temporary ban was introduced on the construction of buildings higher than 100 m, so the bell tower's observation deck opens best view to the city.

Catholic Church Theatinerkirche

Theatinerkirche – catholic church collegiate type, which bears the name of St. Cajetan. The construction of the church took place in the years 1663-1690, but the façade of the building remained unfinished for 100 years due to disagreements among the architects. The front part of the facade is decorated with 2 coats of arms: the coat of arms of Bavaria and the coat of arms of the Polish-Lithuanian Commonwealth.

When designing the temple, the Theatine Church in Rome was taken as a model, and everything was designed in the late Italian Baroque style. The interior decoration of Theatinerkirche is made in light colors with a predominance of white columns. The interior is decorated with detailed moldings, and dark wood elements provide contrast.

Ludwigskirche Church

Ludwigskirche is the university church of St. Ludwig. The construction of the temple was approved by Ludwig I in 1829. The unstable political and economic situation of that time made it possible to complete the project only in 1844.

From the outside, the church is distinguished by twin towers, a cross-shaped nave and a roof decorated with mosaics. Inside is the famous fresco " Last Judgment", which ranks second in size in the world. It is worth paying attention to the figures of Jesus and the evangelists.

Asamkirche is a church built by the Asam brothers in honor of St. John of Nepomuk. The official name of the church is associated with the name of the priest, but people call it “Azamkirche”, glorifying the name of talented architects. The temple is unique in that it occupies a smaller area compared to other similar structures. Initially, the church was private and only after some time it became public. The entrance to the temple is decorated with a statue of John of Nepomuk with angels.

The authors of the project were not guided by Catholic architectural canons. Inside, everything is more reminiscent of palace interiors: an abundance of sculptures, the use of gilding and a fairly bright design in general. The ceiling painting with scenes from the life of St. John deserves special attention.

Jesuitenkirche St. Michael is a church built for the Jesuit order in the 17th century and is one of the most beautiful buildings of the Renaissance. Appearance The church is reminiscent of the classic design of a city hall. The upper part of the facade is occupied by the figure of Jesus Christ, and at the entrance you can see the statue of St. Michael.

The church hall is quite large and the feeling of scale is enhanced by the snow-white walls. Under the altar, in the underground chapel, is the Wittelsbach crypt, where William V and other representatives of the dynasty are buried. Nearby is a reliquary where Christian relics are kept.

The excellent acoustics of the room convey well the sounds of organ music during concerts (the schedule can be found on the website). On Christmas Eve, the church is popular and is often included in excursion routes.

Lukaskirche Church

Lukaskirche – protestant church, located on the banks of the Isar River. Construction of the temple took place in 1893-1896. The architect Albert Schmidt gave the building features of the Romanesque style and was clearly inspired by the Gothic. The design familiar to these buildings is complemented by two towers and a high dome (64 m). St. Luke's Church (Lukaskirche) has a unique interior and boasts colorful stained glass windows - the only element that was damaged during the war. At the altar you can see a painting that depicts the burial of Christ.

St. Paul's Temple

Paulskirche is a Catholic church named after St. Paul, which belongs to the parish of Ludwigsvorstadt. Construction of the church began in 1896 and was completed at the beginning of the 20th century. The architect Georg von Hauberrisser maintained the image of the building in the neo-Gothic style.

The facade is decorated with characteristic sculptures, which is typical of Gothic buildings. The Paulskirche has one of the tallest (97 m) towers among Munich churches, so it is not surprising that there is an observation deck here.

The interior of the church is also worthy of attention - the spacious hall immerses you in a medieval atmosphere. It would be useful to see the architectural composition “Carrying the Cross”, created by sculptor Georg Busch. The sculpture, made in color, perfectly illustrates one of the last pages of the life of Christ.

The Catholic Church named after St. Benno was built at the end of the 19th century by the architect Leonhard Romeis. The temple occupies a worthy place among other religious buildings made in the neo-Romanesque style.

Towers 63 m high complement the majestic image of the building.

Among the interior features, it is worth highlighting an exact copy of the Venetian mosaic.

After the bombing of 1944, the church was restored to its original form, but the original frescoes were lost.

In the churchyard you can find an aluminum statue of a fish with a key: legend has it that Bishop Benno threw the key to the church into the Elbe River and later discovered it in the belly of a fish served to him for lunch.

Church of St. Maximilian

St. Maximilian's Church was the first Catholic church in Munich and is located on the banks of the Isar River. Construction took place from 1892 to 1908. Distinctive feature The temple was neo-Romanesque in style and had two high towers.

The original octagonal spiers of the towers were destroyed during World War II, and they were restored in a simplified version.

The interior is notable for the presence of arches and a sculptural ensemble at the altar.

Gothic Church of St. Mark

St. Markus – Lutheran Church, built during the rapid population growth of Munich in the 19th century. The building, unremarkable at first glance, is distinguished by the presence of a mechanical clock on each side of the tower and narrow windows. The interior of the church is dominated by light colors. Otherwise, the architectural solutions are quite typical for the neo-Gothic style. St. Mark's Church performs several functions simultaneously:

• Headquarters of the head of the church region in Munich;
• parish church;
• church for university students in Munich.

Shrine of St. Joseph

St. Joseph Kirche is a Catholic church named after the husband of the Virgin Mary. Construction of the temple began in 1898 and lasted 4 years. The façade of the building welcomes visitors with large arches and high tower connected to the basilica.

Several bells were cast for the bell tower back in the 60s of the 20th century. The heaviest of them is the Holy Trinity bell, which weighs almost 3 tons.

During the day, the windows of the church hall are missing large number light and perfectly illuminate the interior. The walls of the temple are decorated with small statues, and at the altar you can see icons with images of saints.

Catholic Church of the Holy Spirit

Church of the Holy Spirit (Heilig-Geist-Kirche) is a Catholic church built at the beginning of the 14th century. The ancestor of the temple was the hospital, which was adjacent to the chapel of St. Catherine. It was in its place that a new church was eventually built.

Initially, the Church of the Holy Spirit had features of the Gothic style, but due to numerous wars and reconstructions, the final appearance also acquired neo-Baroque features.

The classic nave is combined with a high tower. The interior is notable for its stucco work by the Azam brothers and stunning ceiling frescoes. Placed on the altar of the church miraculous image Mother of God.

The abbey is located in the center of Munich, which is quite unusual for a monastery of this type. Construction took place in the 19th century on the territory former monastery Saint Benedict.

The facade of the building is greeted by columns, and on the sides there are statues of St. Peter and St. Boniface.

At the top of the facade there is a portrait of the architect - this case is rather an exception for religious buildings.

The image of the building corresponds to the Byzantine style. Inside the church hall you can see an impressive number of tall columns that visually expand the space. The interior painting, after being damaged in 1945, was only partially restored by modern craftsmen.

King Ludwig I is buried in the abbey along with his wife Theresa.

Munich – the heart of tourism in Bavaria

Munich is home to an impressive number of unique churches and cathedrals that are cultural monuments. By visiting the city, you will have the opportunity to study the architecture of the 12th–20th centuries in all its diversity using a clear example. For those planning their vacation for 2019, we recommend that you consider visiting Munich.

Munich Cathedral: Video