Presentation "Orthodox Icons" for the Moscow Artists' Club - project, report. Presentation "an icon in my life" Presentation about any icon

Icon in my family

Icon of the Mother of God "Everlasting Color"




  • There are many different icons in our house.
  • Some were given to us by our relatives, and many we bought when we went to the Svyatogorsk Monastery, the Kiev-Pechersk Lavra, to the Cathedral of Christ the Savior.
  • Wherever we are, we always try to visit temples and churches.
  • We love all the icons, but the Icon of the Mother of God “Fadeless Color” has become our favorite. It was given to my grandmother for her birthday. We consecrated this icon in the church. Now we always pray before this icon.

Information about the icon

Icon of the Virgin "THE UNFADERABLE COLOR" April 3 (April 16 new style) The flower that the Most Holy Theotokos holds in her hand on the Fadeless Color icon symbolizes the immortality of virginity and the integrity of the Mother of God. The Orthodox Church addresses the Blessed Virgin in this way: "You are the unfading Color of purity."


The meaning of the icon of the Mother of God "Unfading Color" The significance of this image is great for Orthodox believers. On it, the Most Pure Mother of God holds on one hand Her Divine Son, and in the other hand - a white lily. It is the lily that is the symbol of virginity and purity.

The face of the Queen of Heaven is depicted as soft and tender.

The Icon of the Mother of God "Unfading Color" is one of the most beautiful images, radiating tenderness and joy. Prayer to the icon gives strength to the believer and guides him on the righteous path, helps to preserve beauty and youth.


The miraculous icon "Fadeless Color"

In the old days, the image of the Most Pure One saved thousands of Christians from spiritual heaviness, many miracles took place associated with the face of the Holy One.

There is an interesting tradition: on the day of the celebration of the Annunciation, bring to the Mother of God the white lilies with which Gabriel appeared to the Virgin.

Until the very Dormition of the Virgin, there are flowers in the church, while no one watering them. And every year, after 5 months, the dry stems of plants, not knowing the moisture and warmth of the sun, are filled with new strength. At the same time, new buds appear on them.


How does the Fadeless Color icon help?

Turning to the Mother of God in front of a miraculous image gives understanding between loved ones, helps to solve family problems, and helps to maintain loving relationships. On the day of the wedding, they blessed the young bride with the face of the Most Holy for a happy marriage, and married women turn to Her with requests to protect their family hearth from adversity.

Turning to the Mother of God, women are asked to make their marriage happy and keep the family together.










The history of icon painting of the Evangelist Luke Tradition relates the creation of the first icons to the apostolic times and is associated with the name of the Evangelist Luke. The oldest icons that have come down to us date back to the 6th century and were made using the encaustic technique on a wooden base, which makes them related to Egyptian-Hellenistic art (the so-called "Fayum portraits"). Portrait of a young man. 2nd century AD NS. Portrait of a boy named Eutychius Evangelist Luke paints the icon of the Mother of God (Mikhail Damaskin, 16th century)


Andrei Rublev, Ivanov's son Born in Novgorod around 1340 - 1350, he was brought up in a family of hereditary icon painters, took monastic vows into Andrei's monastic name; the secular name is unknown (most likely, according to the then tradition, it also began with "A"). Rublev died during a plague on October 17, 1428 in Moscow, in the Andronikov Monastery, where in the spring of 1428 he completed his last work on painting the Spassky Cathedral


"Holy Trinity" by Andrei Rublev (icon by Andrei Rublev, ~, Moscow, Tretyakov Gallery


The history of icon painting In Rublev, together with Daniel Cherny, Theophan the Greek and other masters, painted the Trinity Cathedral of the Trinity-Sergius Monastery and created icons of its iconostasis Apostle Paul


Technique of icon painting Of the wood species, the following were often used: linden, birch, pine, spruce, cedar, larch, oak, maple. An imported cypress board was considered the best, but also the most expensive. The boards were hewn out of the block with an ax and cut off with an adze. Longitudinal sawing of logs into boards in Russia began only in the 17th century. But it is believed that boards cut with an ax are of higher quality compared to others. Adze


Icon Painting Technique The icon board is specially prepared under the layers by gluing a pavoloka (cloth glued to the icon board before applying the gesso). Serves for better adhesion of levkas (which is a chalk or gypsum (alabaster) powder, mixed with animal or fish glue) with the surface. The side and end surfaces of the icon board can be called a board or a ridge. Painted icon board


Technique of icon painting Most often a special master woodworker is engaged in the preparation of boards for icons; There are also known icons painted on a canvas primed on both sides, or in the art history naming of “tablets”.




Field Field The fields of the icon board are the framing of the middle, usually recessed part of the icon (ark). It is separated from the ark by a husk (the edge of the dihedral angle formed by the inner surfaces of the intersecting walls), along the outer edge it is often outlined with a line of contrasting background color with the pubescent husk of the Igorevskaya Icon of the Mother of God with the Deesis and selected saints in the fields. Late XIV early XV centuries State Russian Museum.


Types of icon painting It is customary to separate other forms of church art from icon painting on the one hand: monumental (wall) painting (fresco, mosaic, etc.), book miniatures, decorative and applied art (for example, chased, cast images and enamels, sewing); on the other hand, painting of religious content based on the author's interpretation.














Framing Riza, or oklad (in the southern and western regions of Russia, shata, tsata, an overhead decoration on icons that covers the entire board on top of the paint layer, except for several significant elements (usually the face and hands of the so-called personal letter), for which slots are made









The story of a great deception The brilliant scientist, one of the most talented painters of all times, Leonardo da Vinci, was an example of a superman who had access to all the knowledge of people on Earth, with equal success he sculpted sculptures, played musical instruments, sang and composed sonnets, there was no equal in physical exercises to his contemporaries, 100 years before Newton and Huygens, he predicted the wave nature of light, regardless of Galileo understood the infinity of the Universe, and the place of the Earth in the solar system. But he was also no stranger to the craving for small rallies. And the grandest of them was the Shroud of Turin






1. What picture did Andrei Rublev paint? 1. What picture did Andrei Rublev paint?












When did the icon appear? the first icon of the Savior appeared during His earthly life. The Savior Not Made by Hands originated in the 1st century A.D. In the 6th century



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Slide captions:

Lesson 15 Icon

The word "icon" in translation from Greek means "image". The Bible says that every person is the image of God.

The icon differs markedly from the picture. This is because the task of the icon is to show the innermost world of the soul of a holy person.

In the Gospel, Light is one of the names of God and one of His manifestations. Therefore, light is the main thing in an icon. Not a single object in the icon casts a shadow.

If the icon painter wants to make it clear that the action takes place inside the premises, he still draws this building from the outside. But over it or between buildings it throws a curtain - velum (in Latin “sail”).

Iconographers call the golden background of the icon light. It is a symbol of infinite divine Light.

The head of the saint is surrounded by a golden circle - a halo - a sign of God's grace, which permeates the life and thoughts of the saint.

The halo often extends beyond the edges of the iconic space. This means that the light of the icon is streaming into our world.

There is no disorder on the icon. Even the folds of the clothes are conveyed by straight and harmonious lines. The icon painter conveys inner harmony through outer harmony.

In contrast to the painting, the icon has no background and no horizon. The icon, as a bright source of light, shines into the world, and in this light every earthly distance becomes invisible.

The most striking thing in the icon is the faces (faces) and eyes. Wisdom and love appear in the faces. The eyes express joyful sadness.

Trifonova Lyudmila Petrovna, teacher of fine arts, MHC, Religions of Russia, MBOU Arefinskaya secondary school, Nizhny Novgorod region. Compiled on the basis of VK Romanovsky's teaching materials "Religions of Russia" 8-9 grade.
Orthodox icon

What is an icon?
The icon is an accepted by the Church and consecrated image of Jesus Christ, the Mother of God, saints and various events from sacred and church history. Icons are painted with paints according to strictly defined rules on a wooden board covered with gesso.

NON-CREATIVE SPAS
According to church tradition, the first icon was the Image of the Savior Not Made by Hands, in the creation of which human hands did not participate. The ruler of Edessa, Prince Avgar, wanted to paint the image of Christ, but the artist did not succeed. Then Jesus Christ washed and wiped his face with a cloth on which His Divine face was imprinted.

Vladimir Icon of the Mother of God
According to legend, this icon was painted by the apostle and evangelist Luke. When the apostle showed the Mother of God this image, she said: "Let the grace of Him who is born of Me and Mine be with this icon."
The celebration of this icon takes place on June 3, July 6, September 8.

Kazan Icon of the Mother of God
This icon is especially revered in Russia. Appeared in the city of Kazan in 1579. The Kazan icon is blessed to the crown, in front of it they pray for family well-being, for the healing of the eyes. The Kazan icon was in the 2nd militia of Minin and Pozharsky, and helped liberate Moscow from the Poles. The celebration of the Kazan Icon of the Most Holy Theotokos takes place on July 21 and November 4.

Smolensk Icon of the Mother of God
One of the very first icons contemporary to the Mother of God herself. She was the first of the Byzantine miraculous icons to arrive in Russia in 1046. together with Princess Anna, the future wife of Prince Vsevolod Yaroslavich. Its other name is "Odigidria". In 1238. The Tatars approached Smolensk, the inhabitants of the city prayed to this icon, and the Tatars retreated. Celebration - August 10.

Tikhvin Icon of the Mother of God
According to legend, this icon was painted by the Evangelist Luke. For a long time she was in Constantinople. In 1383. the icon appeared over the waters of Lake Ladoga and then stopped at the Tikhvinka River. This place is now the Tikhvin Monastery. Celebration - July 9th.

Kursk Icon of the Mother of God "The Sign"
The Kursk Icon was found in 1295 on the banks of the Turskara River, not far from the city of Kursk. Now in this place is the Monastery-Root Hermitage. During the Civil War, she was taken abroad. The celebration of this icon takes place on December 10, March 21, September 21.

Fedorovskaya icon of the Mother of God
The first glorification of the icon dates back to the 12th century, the holy image was in a chapel near Gorodets, then the Fedorovsky Monastery was built on this site. The icon was often on fire, but always came out whole, undamaged by fire. This icon was revered by the entire Romanov dynasty. Celebration of the icon - March 27 and August 29.

Iberian icon of the Mother of God
The greatest shrine of Athos. In the 9th century, she was with a widow who lived near the city of Nicaea. One iconoclast struck the icon with a spear, immediately blood flowed from the affected area. Many years later, the icon appeared at sea near the Iberian monastery on Athos. She is still in this monastery. Celebration - February 25. October 26th.

Icon of the Mother of God "Three-handed"
A miraculous icon associated with the life of St. John of Damascus. The Caliph of Damascus ordered to cut off John's hand, which then miraculously grew back. In memory of this, John attached a silver hand to the icon. Celebration - 11 and 25 July.

Don icon of the Mother of God
The Don icon helped Russian soldiers many times. For the first time - on the Kulikovo field in 1380. On another occasion, Ivan the Terrible prayed in front of her before going to Kazan. Her intercession saved Moscow in 1591 from Khan Kazygirey. The celebration of the Don Icon takes place on September 1.

Icon of the Mother of God "Unexpected Joy"
This is a miraculous icon of the Mother of God, which depicts a miracle described by St. Demetrius of Rostov: one sinner was praying to the Mother of God and suddenly saw blood on the hands and feet of the Infant God, like on the cross of the Savior. The Mother of God told him that sinners like him did it. After that, the man repented and began to live righteously. Celebration of the icon on May 14 and December 22.

Icon of the Mother of God "Joy of All Who Sorrow"
This miraculous icon was first glorified in Moscow in 1688, in the Transfiguration Church on Ordynka, with the healing of Euphemia. Celebration on November 6.

Tsarskoye Selo icon of the Mother of God "Sign"
The "Sign" icon refers equally to the life of Christ and the Virgin Mary. This icon was presented to Tsar Alexei Mikhailovich. Then she passed to Peter 1, and then, as a symbol of blessing, she passed to the Empress Elizabeth Petrovna. The icon was revered by all members of the imperial family.

Icon of the Mother of God "Reigning"
She appeared to the Russian people on March 15, 1917, on the day of Tsar Nicholas' abdication from the throne in the church with. Kolomenskoye. She was found in the basement among the junk, washed. Throughout Russia, the news quickly spread that the Mother of God herself had assumed supreme power over the people. The celebration takes place on March 15th.

Icon of the Mother of God "Inexhaustible Chalice"
The Inexhaustible Chalice Icon "foreshadows all those who have received the Holy Communion and have believed in eternal spiritual life. This is one of the most ancient icon-painting subjects. This icon grants healing from many troubles, calamities and sins.

Icon of the Holy Righteous John of Kronstadt
The spiritual life of Russia in the late 19th and early 20th centuries is adorned with the ascetic activity of John of Kronstadt, a brilliant preacher, healer, and benefactor. The relics and icon of the righteous are in the Ioannovsky stauropegic convent on the Karpovka River, which he founded.

If there is an icon of the house - The house is peaceful and light. The icon gives everyone a blessed warmth. Through prayer and faith Through the holy iconostasis, As through open doors, the Grace of God enters into us.

SOURCES:
Textbook: Religions of Russia. Part 2: a textbook for students in grades 9 of secondary schools / ed. - comp. V.K. Romanovsky, L.A. Gonchar. - N. Novgorod: Nizhny Novgorod Institute of Education Development, 2013.

Slide 1

Icon in Orthodox culture
Presentation on the subject "Foundations of Orthodox Culture" Compiled by: T.O. Yeritsyan N.A. Geghamyan T.B. Rogova S.I. Stepanyan M.I. Bagdasaryan L.N. Cucotte

Slide 2

Is dear to me, before the icon In a light golden robe, This ardent wax, Kindle by someone unknown hand. I know - the candle is burning, the Clear sings solemnly: Someone's grief subsides, Someone quietly sheds tears, This is a bright moment In the wild darkness and wilderness, Memory of tears and tenderness Into the eternity of a soul that has looked ... A. Maikov

Slide 3

The icon is an amazing, completely unique phenomenon in the world of human culture. We can find various images of Christ, the Mother of God and saints both in Catholic and Protestant churches, but icons in the sense that it acquired in Orthodox culture are nowhere else. The icon is one of the main symbols of Orthodox art.

Slide 4

The icon is an integral part of the Orthodox tradition. In Russia, it has long been customary: a person was born or died, got married or started some important business - he was accompanied by an icon-painting image. The entire history of Russia passes under the sign of the icon, many miraculous and glorified icons were witnesses and participants in the most important historical changes in the fate of the country.

Slide 5

The word "icon" is of Greek origin and literally means "image". Therefore, in Russia, icons were often called images. The icon is a written prayer in Orthodoxy. Its content is not made up of historical epochs and not the richness of a person's mental life, but the union of a person with God.

Slide 6

It is impossible to imagine an Orthodox church without Orthodox icons. The row of icons separating (connecting) the altar from the central part of the temple is the iconostasis. In the center of the iconostasis there are doors called the Royal Gates (gates). To the right of the Royal Doors is always the icon of Christ. On the left is always an icon of Mary, the Mother of God ...

Slide 7

The icon helps the believer in prayer and is, as it were, a "window" to the spiritual world, a "guide" to God. Thanks to the icon and prayer, an Orthodox person can turn to Him, spiritually unite with Him. Therefore, believers treat icons with care, revere them, thereby expressing their feelings for God, for the Mother of God, for holy people who, according to the teachings of the Church, are all alive in the spiritual world, you can communicate with them by turning to them in prayer.

Slide 8

Any unworthy treatment of an icon was considered sacrilege (an insult to a religious shrine). The one entering the house, first of all, bowed to the icons, and then greeted the owners. Since ancient times, almost every large city or monastery had its own, especially revered miraculous icon of the Most Holy Theotokos, which it considered to be its glory and affirmation.

Slide 9

The pictorial icon differs markedly from the picture. This is because the task of the icon is to show the innermost world of the soul of a holy person (including the God-man Christ). The icon is not an ordinary picture. The well-known historian and art critic Nikolai Mikhailovich Tarabukin wrote in one of his books: "The meaning of the icon is mysterious ... the meaning of the icon is miracles."
The last supper
Painting by Leonardo da Vinci
Icon

Slide 10

Portrait and icon of the remarkable Russian naval commander, Admiral Fyodor Fedorovich Ushakov.

Slide 11

In contrast to the painting, the icon has no background and no horizon. When you look at a bright light source (sun or spotlight), you lose the feeling of space and depth. The icon shines in our eyes, and in this light every earthly distance becomes invisible.

Slide 12

Light is the main thing in the icon. In the Gospel, Light is one of the names of God and one of His manifestations. Iconographers call the golden background of the icon "light". It is a symbol of infinite divine Light.

Slide 13

The saint's head is surrounded by a golden circle. The saint is, as it were, filled with light, and he himself, having been nourished by it, radiates it. This is a halo (halo) - a sign of God's grace, which permeated the life and thought of the saint and inspired his love. This halo often extends beyond the edges of the iconic space. This is not because the artist made a mistake and did not calculate the size of his drawing. This means that the light of the icon is streaming into our world.
archangel Michael

Slide 14

One of the difficulties in the development of Christian painting was that it was necessary to answer a difficult question: how can one paint icons at all if the Bible itself emphasizes that God is invisible.

Slide 15

The icon became possible because after the Old Testament came the New Testament. The Gospel says that God, who remained invisible in Old Testament times, was then himself born as a man. The apostles saw Christ with their own eyes. And what is seen can be depicted.

Slide 16

Only a person with a special gift from God could be an icon painter. Throughout his life, he had to bear the unceasing feat of prayer, strive for moral perfection. Icon painters in Ancient Rus were almost exclusively monks (monks).

Slide 17

The first icon painter was the Evangelist Luke, and the first Russian icon painter Alimpiy Pechersky. Icons by famous icon painters Andrei Rublev, Theophanes the Greek, Dionisy, Simon Ushakov and thousands of nameless masters are included in the treasury of world spiritual art, but, above all, are the property of the Russian people.

Slide 18

Icon painters depict on icons the Holy Trinity, Jesus Christ, the Mother of God, angels, saints who deserve veneration after their righteous life even after death, as well as events from the Old Testament and New Testament Sacred History, which are celebrated by the Orthodox Church as holidays. The most common and famous are the icons of Jesus Christ and the Mother of God.

Slide 19

The Trinity of the Monk Andrei Rublev (c. 1414) is recognized as the pinnacle of Russian icon painting and is one of the most famous masterpieces of world Christian art.

Slide 20

Icon of St. Sergius of Radonezh
Icon of St. Nicholas the Wonderworker

Slide 21

Icon of St. Alexander Nevsky
Icon of the Blessed Matrona of Moscow

Slide 22

The first icon of Jesus Christ has a miraculous, supernatural origin. According to legend, she appeared during the life of Jesus Christ. This is "Savior Not Made by Hands" (or "Savior on the Ubrus") (ubrus is a piece of canvas on which, as the ancient church tradition says, the Image (Face) of Jesus Christ was imprinted).
The icon of the Savior Not Made by Hands (VI century) from the Temple of San Silvestro in Capite in the Vatican is considered one of the closest lists from the legendary "original" Image of Christ Not Made by Hands

Slide 23

Slide 24

Above the entrance to the northern gallery of the Kremlin's Annunciation Cathedral, there is an image of the Savior Not Made by Hands - a fresco created, presumably, by Simon Ushakov in 1661.

Slide 25

On the basis of this first image of the Lord Jesus Christ, the iconography of Jesus Christ, adopted in the Church, subsequently developed. The first images of Christ that have come down to us date back to the second century after the Nativity of Christ.

Slide 26

A special place in the soul of an Orthodox Christian is occupied by the Mother of God - our Intercessor, Patroness and Comforter, who chose Orthodox Russia as Her chosen inheritance.
Icon of the Theotokos Tenderness

Slide 27

From the very first centuries of the adoption of Christianity, the Russian people were imbued with deep love and reverence for the Mother of God. One of the first churches, built in Kiev during the reign of Prince Vladimir, was dedicated to the Mother of God. In the 12th century, a new holiday was introduced into the Russian church calendar - the Protection of the Most Holy Theotokos. This holiday testified that the Orthodox believe in the patronage of the Mother of God of the Russian land.